‘Tis the time of year to relax on the sofa and consume a tin of mince pies in front of a terrific flick, a poor film, or one that’s terrible yet terrific.
This year, a batch of latest seasonal stories strives to join part of our seasonal watchlist—maybe even finding a spot alongside enduring classics like Home Alone, Elf, Love Actually, and Die Hard (we won’t debate it).
Thus, in a vital public service to sort the crackers from the turkeys, and to embrace the Christmas spirit, I binged as many recent Christmas films as possible in a single day.
Beginning, optimistically, on a positive note. This film is the sole 2025 movie on a well-known aggregator's list of the greatest 100 Christmas movies of all time.
The Jonas Brothers end up stranded in the UK after finishing their international trek and must make it back for Christmas. Their efforts are thwarted by an villainous Saint Nick, who sings to declare they won’t get home until they “rediscover their sibling bond.”
The repartee between the bickering brothers is amusing even for the non-fan, while devotees will no doubt catch lots of easter eggs as they endeavor to get back using any means of transport necessary.
It’s a travelogue of mishaps.
It’s not a timeless masterpiece, but is excellent for devotees and a solid start to the day.
Festive score: 🎄🎄🎄🎄🎄 for Jonas Brothers fans or 🎄🎄🎄 for their relatives who are obliged to sit through it.
A-list actor Kiefer Sutherland has been cast as a celebrity tricked into a pantomime.
“A panto-what?” asks Sutherland’s “hard-to-work-with” and aging star Brad Mack, who has fallen on hard times and whose representative has misled him into thinking he’s performing in high-class London stage.
His Aladdin cast-mates inform him he’s playing Buttons. “Oh no I’m not,” he protests. It's easy to predict their retort. Unless you’re ignorant of traditional British theatre traditions.
There are some hilarious moments, some touching side stories, and the ensemble is brilliant, too.
It’s the type of film that would be a bit naff at any other time of year, but is a lot of fun at Christmas.
Christmas tree rating: 🎄🎄🎄🎄
An actor pops up at the start of this film, too, insulting someone for the next movie straight. Could this be a budding festive ritual?
This time, he’s a crooning chauffeur who collects Mr Sood, the newest interpretation on Mr Scrooge from Charles Dickens’ A Christmas Carol.
Mr Sood is played by an actor from Kunal Nayyar and Christmas Karma is directed by the director of Gurinder Chadha. The well-known tale unfolds as the tight-fisted Mr Sood is visited by the apparitions of Christmas past, present and future, played by Hugh Bonneville, Billy Porter, and Boy George.
This cultural adaptation is at least different from all the others, but regrettably he’s not very charismatic and Nayyar’s acting is flat—a significant issue when he’s so central to everything.
Festive score: 🎄🎄
There's just enough time for a major broadcaster's holiday special—which stars Guz Khan as a endearingly grumpy man who “avoids Christmas.”
But after he is awarded an £8,000 Christmas bonus at work, his wife (played by Morgana Robinson) talks him into blowing the money on a vacation to Lapland.
There’s just one issue—he learns there was an error with his bonus, which should have been £800, and he has to determine how to reimburse the excess.
Fun while it lasts but not lasting.
Holiday verdict: 🎄🎄
This is one of those holiday movies where the decorations and snow are in the background—Christmas is the environment of the film rather than its main point—but it feels comfortable and seasonal all the same.
Ambitious executive Sydney (played by Minka Kelly) is dispatched to a French chateau to secure an acquisition for a champagne business. On the way, she runs into a guy in a book store who vows to show her a festive Paris.
A critic recently claimed this is the top new Christmas film of the last several seasons. That’s a bit of a overstatement, but it is a festive dalliance with a hint of sophistication and gives the required cozy feelings.
The scene with a detailed conversation about Die Hard is very good too.
Holiday verdict: 🎄🎄🎄
Sixteen-year-old Chris, played by Lenny Rush, continues to believe in Father Christmas, despite the persuasion of his dad (played by James Buckley) to tell him the truth.
The secret is out there, and Chris sets out to find it with the expert help of a team of well-known figures.
It’s understated but endearing, and ideal viewing while expecting Santa to visit.
Festive score: 🎄🎄🎄
Michelle Pfeiffer is the head of a dysfunctional American family who gather for the holidays—including fellow acclaimed actress Felicity Jones, Chloe Grace Moretz, Jason Schwartzman, and dad Denis Leary.
Pfeiffer opens by name-dropping classic festive films like National Lampoon’s Christmas Vacation, It’s A Wonderful Life and Home Alone, before saying: “They need to make a movie about the real champions of the holidays—moms.”
So that’s the premise, but in execution it’s really a mash-up of those inspirations, at least until Pfeiffer’s character at last comes into her own.
Festive score: 🎄🎄
The day’s gone downhill, but thankfully here’s a new entry in the packed genre of cliched, saccharine, over-the-top—and strangely compelling—seasonal comfort food.
It’s a tale as familiar as can be: An American woman travels to a picturesque cold country and ends up discovering romance.
In this case, Caprice Bourret plays a publisher
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